New Writer For Affleck’s The Stand

David Kajganich takes a crack at King
It’s a job that’s passed through the hands of George Romero and Steve Kloves, but now another writer has undertaken the mammoth task of adapting The Stand for the screen. David Kajganich is wrestling Stephen King’s blockbuster novel into movie shape as we speak, under the watchful eye of director Ben Affleck.
Set after an American super-flu virus has wiped out most of the world’s population, The Stand sees a King-typical band of mismatched survivors trying to establish a peacenik new society under the aegis of earth-mother Abigail Freemantle. The existence of another group however, led by King‘s recurring antichrist Randal Flagg, means conflict – the stand of the title – is brewing.
First published in 1978, The Stand was always epic in size and scope, but was re-issued in 1990 in an “author’s cut” that was even longer. Mick Garris directed a six-hour TV miniseries in 1994, starring Gary Sinise and Rob Lowe.
Kajganich has previous experience writing pandemics, since he was responsible for the beleaguered Bodysnatchers remake The Invasion in 2007. Unsurprisingly, it’s not that gig that’s scored him The Stand, but an as-yet unproduced screenplay for Stephen King‘s similarly whopping It, which impressed Affleck so much that he had to sleep with the lights on so Pennywise couldn’t get him.*
Steve Zaillian Planning Timecrimes

And musing A Thousand Splendid Suns
David Cronenberg was rumoured for a while to be behind Timecrimes, until he categorically told the world that he isn’t. And now it turns out that screenwriter Steve Zaillian is eyeing Timecrimes for himself, for one of his occasional forays away from his word-processor and behind the camera.
The film is an English-language remake of the Spanish Los Cronoscrimenes, which involves a hapless man named Hector getting into paradoxical hot water via a time machine in a laboratory near his home. Think Back To The Future 2, Triangle, and Primer, and you’re on the right lines.
“We have to cast it, but it’s a tricky one,” says Zaillian, who is yet to one-hundred-percent commit himself to the project. “I’d want to make it really low budget. I think part of its appeal is that it’s kind of a low budget thriller, but it’s hard to get that made without a major actor. I’d like to make it for $10m so the trick is to find the right actor that doesn’t suddenly push the budget up into to $20m or $30m. It’s one of the rare opportunities where you have four characters, two locations; why do you need to spend that much money? This is a story that you wouldn’t want to tell any differently, and it happens to be an economical way to go.”
Elsewhere in the same Coming Soon interview, Zaillian gives a brief update on A Thousand Splended Suns, the mooted adaptation of Khaled Hosseini‘s novel. Rather than taking his Girl With The Dragon Tattoo approach, “where I had no qualms about setting it in Sweden but the people would be speaking in English”, Zaillian wants Suns to be an entirely Middle Eastern affair.
“I think it would be more distinctive if it was made indigenously,” he says. “I want this to be done by a Middle Eastern director with Middle Eastern actors, maybe even in Farsi.










